SAGE THEATRE SOCIETY

Sage Theatre

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Sage Theatre Society
Business Registration Number: 871540985RR0001

Sage Theatre Society is a Canadian nonprofit theatre company based in Calgary, Alberta. Founded in 1998 under the artistic leadership of Rob Moffat, the organization is recognized for producing bold, intimate, and thought-provoking works that explore the human condition while prioritizing artistic risk-taking and collaboration[3][5]. Known for its eclectic programming, the company engages local artists to present stories from Canadian and international playwrights, often challenging societal preconceptions[3][5].

History

Sage Theatre emerged as an innovative force in Calgary’s performing arts scene, initially staging productions such as Lion in the Streets and Trainspotting, which established its reputation for unconventional storytelling[3]. Under subsequent artistic directors Kelly Reay (2004–2015) and Jason Mehmel (2015–present), the company expanded its scope, premiering works like Meg Braem’s Blood: A Scientific Romance (2011) and the Canadian debut of King Kirby (2016)[3]. Early milestones included collaborations with international figures, such as Robert Lepage’s Polygraph (2000), which earned Betty Mitchell Award nominations for sound design and choreography[4].

Artistic Focus

The company’s productions emphasize stylistic experimentation, often blending movement, live music, and multimedia elements. Notable works include Canadian Graffiti (addressing youth violence), Stuck (exploring homelessness), and Hedwig and the Angry Inch, which showcased its commitment to diverse theatrical forms[3][4]. Sage Theatre actively supports Alberta-based artists through development programs and collaborations with established professionals[5].

IGNITE! Festival

In 2005, Sage Theatre launched the IGNITE! Festival of Emerging Artists, a multidisciplinary event held annually in June. The festival provides early-career artists across disciplines—theatre, dance, music, and visual arts—with mentorship, networking opportunities, and public performance platforms[1][3]. Over nearly two decades, IGNITE! has featured hundreds of emerging talents, contributing to the growth of Canada’s performing arts community[1][3].

Recognition

Sage Theatre has received multiple Betty Mitchell Awards and critical acclaim for productions such as The Dazzle, Girl in the Goldfish Bowl, and My Name is Rachel Corrie (2007 Canadian premiere)[3][4]. Its dedication to artistic innovation and emerging talent development remains central to its mission[5].

[1] https://sagetheatre.com [2] https://www.instagram.com/sage_theatre/ [3] https://sagetheatre.com/about-us-2/ [4] https://www.galileo.org/projects/flies/theatre.htm [5] https://calgaryartsdevelopment.com/news-information/directory/sage-theatre/

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Poslední komentáře

Absolutely thrilled to see such a powerful story being brought to life! Can't wait to witness the fantastic performances from Lauren and Norma. 🎭❤️ #WomenInTheatre #MaryStuart
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This is such an important exploration of women’s struggles and triumphs! Excited for the chance to see this incredible production. Let’s support our local artists! 🌟👏 #SageTheatre #EmpowerWomen
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Poslední diskuze

1. How can we better support female-led productions in the arts, particularly in exploring themes of gender and power dynamics like those presented in "Mary Stuart"?
Odpovědí: 3, Naposledy před 1 den detail
2. What innovative fundraising strategies could be implemented to accommodate the limitations of intimate venues like Motel Theatre while still engaging audiences and ensuring accessibility?
Odpovědí: 3, Naposledy před 1 den detail

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- A30 -

Sage Theatre Whats up at Sage Theatre Mary Stuart By Dacia Maraini April 25 May 4 2025Motel TheatreDirected by Javier Vilalta Standard ticket is 30. Freely inspired by the work of Friedrich von Schiller Dacia Marainis Mary Stuart depicts a confrontation between the Queen of Scotland and her cousin Elizabeth I Queen of England. But more than a historical drama it is a conflict between two women that is at stake here. Mary Stuart envies the power her cousin holds Elizabeth is jealous of the femininity of others.

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