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The Contemporary Art Society (CAS) is a UK-based independent charity dedicated to developing public collections of contemporary art. Founded in 1910, it has played a leading role for over a century in supporting the acquisition of modern and contemporary artworks for museums across the United Kingdom. Since its inception, the Society has donated more than 10,000 works of art to public collections, ensuring broad access to the work of living artists and contributing significantly to Britain's cultural heritage[1][3][5].
History
The Contemporary Art Society was established on 18 May 1910, shortly after the death of King Edward VII, and seven years following the founding of the National Art Collections Fund. Its founding was driven by a commitment to support young artists and promote philanthropy in contemporary art collecting. The Society’s first purchase was Augustus John's painting Woman Smiling (1908–09), which it later donated to Tate in 1917. It was incorporated officially in 1931 and registered as a charity in 1962[5].
Initially, from the 1930s, the Society extended its donations to museums in the Commonwealth, but since 1989 its activities have focused exclusively on UK institutions[3].
Mission and Activities
CAS exists to champion and develop contemporary art collections in public museums across the UK. It identifies and acquires outstanding works of art and craft, often supporting artists early in their careers, thus acting as a significant investor in the careers of multiple generations of contemporary artists[1][3].
The Society works closely with its Museum Membership—a network of 78 museums from across the UK, ranging geographically from Plymouth in the south to Orkney in the north, and from Swansea in the west to Norwich in the east. Collectively, these museums receive over 21 million visitors annually. CAS collaborates with these institutions to support their acquisition policies and foster stronger connections with their communities, aiming to create inspirational, accessible collections for present and future audiences[1].
Notable Contributions
The Contemporary Art Society has been responsible for introducing key works by prominent artists into UK public collections. These include early acquisitions of works by Paul Gauguin (1917), Dame Barbara Hepworth (1931), Pablo Picasso (1933), Henri Matisse (1935), Francis Bacon (1952), Sir Anthony Caro (1965), Sir Antony Gormley (1981), and Damien Hirst (1992). More recent notable acquisitions include works by Turner Prize winner Helen Marten (2012), Phyllida Barlow (2012), and the first UK museum collection works by Glenn Brown and Kader Attia (2016)[3].
Funding
The Society’s funding model is multi-faceted. It receives approximately 12% of its income from Arts Council England as a National Portfolio Organisation (NPO). The remainder of its funds are raised through private and corporate philanthropy, fundraising events, and income generated from art consultancy services. This diverse funding enables CAS to maintain its role as a key supporter of contemporary art collecting in the UK[3].
Programs and Partnerships
CAS runs a variety of programs to support museums and artists, including special awards and funds that assist with ambitious acquisitions and support specific categories of work. Some of these include the Collections Fund at Frieze, the Valeria Napoleone XX CAS Award, the Griffin Award, the Ada Award, and the Great Works scheme. The Society also collaborates with established arts organizations such as the Henry Moore Foundation and the National Gallery to offer residencies and other initiatives[4].
In addition to acquisitions, CAS produces educational content such as the weekly Friday Dispatch—an exhibition review—and the seasonal On Our Radar list that highlights emerging and mid-career artists with distinctive visual vocabularies[4].
The Contemporary Art Society remains a vital institution in the UK art world, fostering public engagement with contemporary art and supporting the growth of public art collections nationwide.
Charity Number: 208178
Website: www.contemporaryartsociety.org
[1] https://contemporaryartsociety.org/about [2] https://contemporaryartsociety.org/about/story [3] https://en.wikipedia.org/wiki/Contemporary_Art_Society [4] https://contemporaryartsociety.org/homepage [5] https://contemporaryartsociety.org/organisations/contemporary-art-society-cas
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Novinky
In this week’s Friday Dispatch, Lydia Figes, Curator of Digital at the CAS shines light on the significance of the ever-growing art scenes in regional towns across the UK. She writes, “It’s no secret that the traditional gallery model is undergoing transformation in the 2020s. Partially a response to the ubiquity of remote work and digital communication, the need for a brick and mortar space in the middle of the capital city is becoming less of an essential. Despite this disheartening reality, there has never been such a strong desire for community building through galleries, project spaces and artistic residencies, as illuminated by Peter Davies’ Dispatch for the CAS back in April. This desire is manifested through the success of contemporary galleries opening in regional towns, as well as the popularity of regional events such as Folkestone Triennial, Artes Mundi in Wales, and the Coventry and Liverpool Biennials amongst others. In the collegial spirit of supporting the arts nationwide – a key value of the Contemporary Art Society since its founding in 1910 – here is a breakdown of commercial galleries, project spaces and residencies worth visiting outside of the gargantuan, urban sprawl of London." Read more here https://contemporaryartsociety.org/explore/resources/galleries-proving-contemporary-art-can-thrive-outside-london (fb)
✨ New Acquisition ✨ We are excited to announce that ‘If I Were a Flower’ (2022) by Jemisha Maadhavji has been purchased by the Contemporary Art Society and presented to Leicester Museum & Art Gallery. @jemisha_maadhavji draws from bold colours, patterns, fabric, fashion and nature. Her practice is informed by symbolism and narrative, depicting individuals with different lived experiences situated in vibrant settings and spaces. Her paintings capture character and emotion prompting us to question what beauty is. To date, Maadhavji explores themes of desire and luxury. Her works are predominantly oil on canvas, created by applying multiple thin and delicate layers, and sometimes finished with thickly textured paint, in instances where it is important that the viewer is conscious of the material’s physical presence. This work, from the series ‘Desires Never Desire’, is a self portrait created during the lockdown with dye and watercolour on paper. The artist imagines herself as a flower that grows from the gathering of the patterns from an oriental rug and is inspired by an Indian miniature painting she saw when visiting the exhibition ‘Forgotten Masters: Indian Painting for the East India Company’ at the Wallace Collection in 2020. Jemisha Maadhavji is a figurative painter based in Leicester, who graduated from the city’s De Montfort University. She explores individuals from different cultural backgrounds, personalities and genders. Leicester Museums & Galleries have chosen to collect Jemisha’s work in order to add to the increasingly diverse collection which is reflective of the diversity of the city as a whole. Works by both local and female artists are a strong collecting strand within the service’s collecting remit, and Jemisha’s self portrait adds to a small but increasingly strong group of self portraits by female artists. © Jemisha Maadhavji (fb)
Poslední komentáře
What an incredible legacy! Supporting artists and enriching museums since 1910—thank you for making art accessible to everyone! 🎨❤️detail |
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Absolutely love how the Contemporary Art Society brings great art to great places! Excited to see the impact of the Spring 2025 list on the art scene! 🙌🏽✨detail |
Poslední diskuze
What role do you think contemporary art plays in enhancing public engagement and community identity within urban spaces?Odpovědí: 3, Naposledy před 1 den detail |
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How can NGOs like the Contemporary Art Society better support emerging artists to ensure their work reaches wider audiences and is included in public collections?Odpovědí: 3, Naposledy před 1 den detail |
V okolí
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EC1V 3AF
O společnosti
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Objects See all 0 Person See all 0 Organisation See all 0 Other See all 0 Quick Links Popular searches Seven Paintings by Francis Bacon The Art Search for information about all the works of art and craft we have donated to museums The Art Flowers II 2016 Esme on the Beach 2015 Nude Standing in front of a Picture 1963 Mobile Menu SUBSCRIBE for news and receive a FREE digital book The Art Search for information about all the works of art and craft we have donated to museums The Art Flowers II 2016 Esme on the Beach 2015 Nude Standing in front of a Picture 1963 Objects See all 0 Person See all 0 Organisation See all 0 Other See all 0 Quick Links Seven Paintings by Francis Bacon Great Art for Great Places courtesy of Eddie Otchere The community at the heart of Londons vibrant emerging art and gallery scene Every week the CAS publishes a Friday Dispatch a thoughtful and descriptive review of an exhibition currently open to the public. On Our Radar Spring 2025 Every season we release the On Our Radar list which spotlights emerging and midcareer artists who are developing a distinctive visual vocabulary. Read more about the artists we selected for the Spring 2025 list. From the archive Explore the rich history of the Contemporary Art Societys acquisitions for museums and collections across the UK Head of a Girl 1971 Room Fragments IIV II 1983 Vita Roller Skating 2015 Study of Francis Bacon No.
Muzea umění Scénické umění Umění, kulturní organizace – vícesměrové